Meg is an Artist, Educator, Arts Advocate, and Witch Doctor. She exploits the extreme plastic conditions of painting and drawing, blending abstraction with figuration to cross cultural and aesthetic boundaries of form. Meg thinks through her medium: she uses paint as a model for fluid and plastic thought, synthesising pictorial traditions from Europe and South East Asia. Her painting and research interests have evolved through undertaking residencies in New York, Taipei, Thailand, Tokyo, South Korea and Tasmania. Meg is Samstag Scholar, an alumnus of the San Francisco Art Institute, the Skowhegan School of Painting and Sculpture, USA and the Space Program, New York. She has a studio-based Doctorate from the University of Tasmania, and is the Director of Studio Giblin.